Movies

HomeMoviesSearchTV SeriesBookmarksView Source
Les Contes d'Hoffmann

Les Contes d'Hoffmann

Genres

DramaMusicTV Movie

OverView

Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.

Others

Budget

$--

Revenue

$--

Status

Released

Original Language

French

Runtime

150 mins

Rating

6.6/10

Release Date

01 December 1981

Country

United Kingdom

Cast

Plácido Domingo

Plácido Domingo

Hoffmann

Agnes Baltsa

Agnes Baltsa

Giulietta

Robert Lloyd

Robert Lloyd

Lindorf

Ileana Cotrubas

Ileana Cotrubas

Antonia

Luciana Serra

Luciana Serra

Olympia

Geraint Evans

Geraint Evans

Coppélius

Nicolai Ghiuselev

Nicolai Ghiuselev

Miracle

Gwynne Howell

Gwynne Howell

Crespel

Claire Powell

Claire Powell

Nicklaus/Muse

Siegmund Nimsgern

Siegmund Nimsgern

Dapertutto

Philip Gelling

Philip Gelling

Schlemil

Francis Egerton

Francis Egerton

Pittichinaccio

Phyllis Cannan

Phyllis Cannan

Spirit of Antonia's Mother

Eric Garrett

Eric Garrett

Luther

Georges Prêtre

Georges Prêtre

Self - Conductor

Similar Movies

0.0

Don Giovanni

January 1991 •Italian

Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.

10.0

Viva Vivaldi

June 2001 •Italian

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.

0.0

Cecilia & Bryn at Glyndebourne

January 1999 •English

The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.

0.0

Alceste

December 1999 •English

John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

7.5

John Adams: Nixon in China

February 2011 •English

John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

0.0

Verdi Otello

February 1962 •English

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

2.0

The Baby Next Door

July 2022 •English

The cries of a baby drive a man going through a breakup into drug-fueled madness.

0.0

Carmen in 3D

March 2011 •English

Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!

0.0

Giacomo Puccini: Turandot

July 2005 •Italian

Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.

5.8

Odiyan

December 2018 •Malayalam

With the arrival of electricity in the region under the British rule, the Odiyan clan that possesses the supernatural powers to assume animal form find it difficult to survive as they are ruthlessly captured and killed by the British. How the last Odiyan tries to save his clan with his stealth attacks, forms the crux.

7.5

Mera Naam Joker

December 1970 •Hindi

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

7.4

Interstate 60

April 2002 •English

An aspiring painter meets various characters and learns valuable lessons while traveling across America.

7.6

Secret

July 2007 •Chinese

Ye Xiang Lun, a talented piano player is a new student at the prestigious Tamkang School. On his first day, he meets Lu Xiao Yu, a pretty girl playing a mysterious piece of music.

5.6

The Battle of Shaker Heights

August 2003 •English

A quirky teen with a penchant for war reenactments, Kelly Ernswiler obsesses over military tactics with his buddy Bart. The school bully is one of Kelly's regular headaches, and he also has to deal with a frustrating situation at home, where his father is a recovering drug addict. Kelly's life gets even more complicated when he falls for Tabby, Bart's pretty and soon-to-be-wed older sister.

6.0

Lång-Lasse i Delsbo

October 1949 •Swedish

it's the 1840s and a rural parish plagued by drinking and fighting gets a new vicar who has decided to instill law, order and fear of God into the parishioners.

0.0

Phantom

July 2004 •Japanese

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

6.7

Carmen

March 1984 •French

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

6.4

Madame Butterfly

November 1995 •Italian

Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.

0.0

Il club dei 27

April 2017 •Italian

A 12-year-old boy tries everything to join a music lovers club.

7.0

The Tales of Hoffman - National Opera Company (INBAL)

February 2021 •French

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.