Dominion

The Ruins

September 2021 •English

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

Kewaaj

September 2023 •Bengali

The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.

The Guns of James Bond

September 1964 •English

Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.

High Cities of Bone

February 2017 •Portuguese

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

No Crying at the Dinner Table

September 2019 •English

Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.

Now Is the Time

September 2019 •English

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

This Ink Runs Deep

September 2019 •English

In this documentary by Asia Youngman, Indigenous artists throughout Canada strive to reclaim their cultures and identities through a reawakening of tattoo practices, both traditional and contemporary.

The Arrival of a Train at La Ciotat

June 1896 •French

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

To Thine Own Self Be True

November 2023 •English

An experimental study of nature through three stories and how we have destroyed it.

It Is Not the Brazilian Homosexuals Who Are Perverse, But the Situation in Which They Live

June 2021 •Portuguese

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Message from Genova

January 1936 •English

This expository film shows the mood of European society on the eve of the Second World War while promoting the values of international cooperation. Using the Swiss office of the BBC as an example, the film describes the functioning of radio and presents the possibilities opened by mass communications. After the advent of sound film, Cavalcanti promoted experimentation with sound, and in this connection he was interested in the communicational, organizational, and social aspects of radio.

Une histoire très simple

January 1989 •French

Night and Fog

April 1959 •French

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Superheroes without Superpowers

August 2019 •Italian

The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.

After Two Hours, Ten Minutes Had Passed

August 2019 •German

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.

Condor

August 2019 •English

The July 2, 2019 solar eclipse, filmed in 100% totality, over the Chilean coast, in 16mm black and white. Condor is the national bird of Chile.

Find Fix Finish

January 2017 •German

Find Fix Finish delves into the stories of three US-Drone pilots revealing the clandestine operational strategies practiced by the US Government.

Buba

July 1930 •Georgian

This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.

Liquidation

March 2013 •French

Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.