Miam a? (Comment va?)

À votre santé

September 1974 •French

Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh reality of emergency rooms. There, medical teams, facing a serious shortage of staff, are facing a real invasion of patients. The technical means, often insufficient, make the task even more difficult.

Praia da Saudade

January 2024 •Portuguese

A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.

Poradila teta Beta

January 1974 •Slovak

Katurãma: uma história de luta e resistência

January 2023 •Portuguese

Club Native

October 2008 •English

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

L’histoire de la Côte-Nord: une histoire commune

June 2012 •French

Sortir la spiritualité autochtone de la clandestinité

June 1992 •French

Sweetheart Dancers

February 2019 •English

Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.

No Word For Worry

November 2014 •English

As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture

Ikátena

January 1983 •Portuguese

Carropasajero

April 2024 •Spanish

The sound of metal creaking as if something is about to break. An old pickup truck adapted to carry passengers crosses the La Guajira desert in Colombia. With the wind come voices that merge among the passengers who travel there. A Wayuu woman returns to her territory, accompanied by her family, after years of exile due to a paramilitary massacre. A cyclical journey where the time layers of the territory touch and the border between the living and the dead is diluted.

Baraka

September 1992 •English

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Ketwajê

November 2023 •Portuguese

The Mentuwajê Guardians of Culture (a group of young Krahô filmmakers) invite the Beture Collective (Mebêngôkre-Kayapó) to visit their village and attend the Kêtwajê festival – an important initiation ritual that has not taken place for ten years. Over the course of several days, children and adolescents undergo various “tests” to transform into adult warriors, under the watchful and shared gaze of the local filmmakers and the Mebêngôkre-Kayapó guests.

Children in Crisis: The Story of CHIP

January 2024 •English

In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.

Mundurukuyü – The Forest of the Fish Women

April 2025 •Portuguese

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Ka Ke Ki Ku

January 1960 •French

This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.

Attiuk

July 1963 •French

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

The Four Corners: A National Sacrifice Area?

November 1983 •English

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Those Who Come, Will Hear

June 2018 •Inuktitut

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

Maximón: Devil or Saint

February 2014 •Spanish

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.