FIT Hives: Sustainability - The Secret to Survival

The Arrival of a Train at La Ciotat

June 1896 •French

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

La marche

October 1951 •French

The Standard Deviants: The Dangerous World of Pre-Calculus, Part 2

January 1996 •English

This edition includes topics such as exponential functions, common log or base 10, rules of exponents, natural log or base e, applications of exponents, rules of logs, logarithms, solving log equations and converting logs to base 10 or base e.

Land Without Bread

December 1933 •Spanish

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Man Who Chooses the Bush

January 1975 •English

This short documentary follows Frank Ladouceur, a man who lives alone for months at a time, trapping muskrat in the vast, desolate wilderness of northern Alberta. He receives no visitors, and rarely voyages to his family home in Fort Chipewyan. What some may consider an unthinkably lonely, isolated existence is the calling of this fiercely independent Métis man. Remarkably determined and self-sufficient, Frank makes his home in the wild bush.

Le cinéma selon Brisseau

March 2007 •French

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

Twenty Years After

January 1944 •English

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Chris on Chris

January 2002 •English

A short film on Chris Marker

Checkpoint Zoo

June 2024 •English

Checkpoint Zoo documents a daring rescue led by a heroic team of zookeepers and volunteers, who risked their lives to save thousands of animals trapped in a zoo behind enemy lines in the Russian Invasion of Ukraine.

Hugo Pratt, trait pour trait

March 2016 •French

Mystery of the Nile

February 2005 •English

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.

Volcanoes of the Deep Sea

September 2003 •English

12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.

Speaking of Abstraction: A Universal Language

January 1999 •English

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Quest for the Ring

November 2001 •English

Koyaanisqatsi

April 1983 •English

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

The Long Shadow of Dirty Harry

July 2008 •English

An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.

Where in the World Is Osama Bin Laden?

January 2008 •English

Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.

In the Lost City

February 2009 •Spanish

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Black Sun

July 2019 •Portuguese

Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.