Burning Lights

Chiasmus

September 2003 •English

An exploration into perceptual processes in the act of seeing and listening, Chiasmus takes film as a metaphor for the breathing body, through the intercrossing of the medium and the fragmented images of the body in movement. The rhythm and tension created by the interplay between sound and image, and their disjunction and conjunction, aspire to an organic and sensual moment where inside becomes outside, and outside inside.

Men in Black II

July 2002 •English

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

Blue Noise

November 2024 •

A Landscape of noise. The experience of a look being assimilated into a completely technological environment

Negativ

February 2023 •Russian

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

Feeler

June 2016 •English

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Butterfly of Love

December 2004 •French

By subjecting fragments from the film 'Rashomon' by Akira Kurosawa to the mirror effect, Provost creates a hallucinating scene of a woman's reverse chrysalis into an imploding butterfly. Papillon d'amour produces skewed reflections upon love, its lyrical monstrosities and wounded act of dissappearance.

Appendix

February 2024 •Portuguese

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

vitreous

January 2015 •German

The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.

Somewhere Real

September 2023 •English

Roads fall into the sea and a travelogue breaks against the landscape.

PICTOR

Invalid date •English

Forced to paint, the artist will either create or be consumed. A modern gothic art film told through a series of striking still images.

Paint Job

May 2009 •English

Daniel is a street painter. He just paints straight lines on the streets. Dotted, solid, white or yellow. Until Ruby, a strange wanderer enters his life and shows him the full palette of colors and shapes that he misses in his life.

The Internal Void of a Damaged Mind

February 2022 •English

Circle

December 2021 •English

This short film follows a man lost in the woods driven by his fear of the unknown.

Whilst Waiting

December 2024 •English

A person spends some time in a room

Messages From Home

July 2021 •English

A short film made in response to returning to home during the Covid pandemic from 2020-2021. A series of vignettes capturing the serene countryside, juxtaposed with a personal voiceover, "Messages From Home" is a meditation on youth, belonging and the capitalist construction of time.

Lost Footage

March 2022 •English

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Burning Batteries

February 2023 •English

In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.

Michelle

December 2022 •

When Forever Dies

August 2020 •English

An archival fiction feature about the eternal battle of the sexes, in which two star-crossed lovers trapped in a kingdom of shadows fight to keep their love alive as they gradually fall in hate. Their names are Forever Man and Forever Woman. They are embodied by actors and actresses from long-gone eras, but also by cartoon characters and puppet animations. Together they narrate the story of the euphoric ups and tragic downs of human existence. When Forever Dies, a virtuoso collage of film fragments from the Eye Filmmuseum archive, is an epic ode to largely unseen cinema anchored in the polarizing world of today.

An Uncountable Number of Threads

February 2023 •English

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.