Sérgio Ricardo: Uma Outra História do Cinema Novo

Marisa Monte: Verdade, Uma Ilusão

October 2014 •Portuguese

Ritas

May 2025 •Portuguese

It explores Rita Lee's personal life and her creative process, revealing her musical talent and her ability to transform on stage. Rita herself guides the narrative through past interviews she gave throughout her career and current testimonies.

Maria Bethânia e Zeca Pagodinho: De Santo Amaro a Xerém

November 2018 •Portuguese

Dê Lembranças a Todos

July 2018 •Portuguese

Dorival Caymmi was one of the inventors of the Bahian imagination. In his 94 years of life, Caymmi composed, sang, wrote, illustrated and thought about his Bahia, even far from it. His family, partners, friends and fans remember his history, which made him one of the pillars of Brazilian culture.

Cinema Novo

May 2016 •Portuguese

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Glauber Rocha em Defesa do Cinema Brasileiro

August 2011 •Portuguese

An Indian in War - Life and Work of António-Pedro Vasconcelos

April 2019 •Portuguese

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

Tribalistas

November 2002 •Portuguese

Tribalistas were a short-lived but popular brazilian musical trio consisting of Marisa Monte, Arnaldo Antunes and Carlinhos Brown. Their one-off collaboration resulted in the popular album Tribalistas, released in Brazil in late 2002 by EMI and in international territories in 2003. The album attained considerable popularity despite the group never performing any song on TV or giving any radio interviews. A DVD release featuring the 'making of' and all the tracks on the album was also released internationally. The song "Já Sei Namorar" was featured on the video game FIFA Football 2004 and the song "Velha Infancia" was used in a soap opera in Brazil called "Mulheres Apaixonadas" as its main theme.

going away

Invalid date •Portuguese

Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".

Além do que se Vê

June 2004 •Portuguese

Gal Costa: Recanto – Ao Vivo

March 2013 •Portuguese

In the Interstices of Reality or The Cinema of António de Macedo

October 2016 •Portuguese

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

Tribalistas Ao Vivo

August 2018 •Portuguese

Rita Lee - Biograffiti: Ovelha Negra

December 2007 •Portuguese

Brazilian singer Rita Lee narrates moments about her life, from her childhood to the meeting with Roberto de Carvalho. The documentary is permeated with excerpts from the singer's concerts, with songs sung entirely.

Rita Lee - Biograffiti: Baila Comigo

December 2007 •Portuguese

Rita Lee - Biograffiti: Cor de Rosa Choque

December 2007 •Portuguese

Gal Costa: A Pele do Futuro – Ao Vivo

September 2019 •Portuguese

Digest Diversity

November 2023 •Portuguese

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

Chega de Demanda

January 1973 •Portuguese

Documentary addressing the composer Cartola and the transformations that took place in Morro Carioca and in Samba during his life. Founder of the Escola de Samba Estação Primeira de Mangueira, Cartola has his life and his music marked by his community and his School, far from the city His school, created as a playful and expressive center for the mangueirense, has now become a point of tourist attraction. This made work possible for the inhabitants of the hill, but it transformed the spirit of samba and its aesthetics.

Vento Bravo

January 2007 •Portuguese