The Perfect Game

Wolves, Pigs & Men

August 1964 •Japanese

Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.

High and Low

March 1963 •Japanese

In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.

The Air I Breathe

February 2007 •English

A gambler’s bet spiraling into chaos, a gangster's prophetic visions, a pop star’s dark entanglement, a doctor’s desperate race against time to rescue his beloved... Four interconnected stories reveal life unfolding through four emotional pillars — joy, passion, grief, and love.

The Threat

February 1966 •Japanese

Two escaped criminals who kidnapped a baby break into the house of Misawa, a man who works in an advertising agency and lives quietly with his family. They will force him to collect the child's ransom for them.

Greed in Broad Daylight

November 1961 •Japanese

After a successful robbery the culprits, from very different backgrounds, at once turn on each other.

The Bad Sleep Well

September 1960 •Japanese

In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

Tokyo Drifter

April 1966 •Japanese

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Yuganda tsuki

July 1959 •Japanese

I Am Waiting

October 1957 •Japanese

A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.

Rusty Knife

March 1958 •Japanese

Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?

Cruel Gun Story

February 1964 •Japanese

Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa's sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn't go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?

Take Aim at the Police Van

January 1960 •Japanese

A sniper kills two prisoners in a police van, and the driver sets out to find the killer.

A Colt Is My Passport

February 1967 •Japanese

A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

Cash Calls Hell

January 1966 •Japanese

Before leaving prison, Oida uncomfortably enters into an agreement with his cell mate: in exchange for a half-share of 30,000,000 yen, he is to assassinate three strangers given to him on a list. However, upon meeting his first potential victim, Oida has second thoughts. Yet, even as he tries to back out, the body count starts climbing. Oida must now try to alert the people on his list of their impending danger, and find out why they are being targeted in the first place.

Pale Flower

March 1964 •Japanese

A gangster gets released from prison and has to cope with the recent shifts of power between the gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

A Killer's Key

December 1967 •Japanese

Raizô Ichikawa reprises his role as the restaurant-cook-turned-contract-killer in this sequel to Kazuo Mori's stylish 1967 thriller A Certain Killer.

Intimidation

March 1960 •Japanese

Koreyoshi Kurahara's ingeniously plotted, pocket-size noir concerns the intertwined fates of a desperate bank manager, blackmailed for book-cooking, and his resentful but timid underling, passed over for a promotion. The marvelously moody Intimidation is an elegantly stripped-down and carefully paced crime drama.

Black Line

January 1960 •Japanese

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Good-for-Nothing

July 1960 •Japanese

Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.

The Warped Ones

September 1960 •Japanese

A juvenile delinquent gets out of the pen and immediately embarks on a rampage of untethered anger, most of it directed at the girlfriend of the journalist who helped send him up.