Decasia: The State of Decay

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Grizzly Man

August 2005 •English

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

Don't Call It "Ghost Town"

April 2025 •English

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

Cinéastes de notre temps : Erich von Stroheim

October 2012 •French

Cinéastes de notre temps : Jean Vigo

October 2012 •French

Filmmakers of Our Time: François Truffaut or the Critical Spirit

December 1965 •French

50 años de... Canciones

November 2009 •Spanish

Sebastian and Jonas Leaving the Party

November 2019 •English

"My last image of Jonas."—Ken Jacobs

Fritz Lang, le cercle du destin - Les films allemands

April 2004 •French

Two Years, Four Months, A Day

Invalid date •Galician

With no choice, César faced leaving his family behind, quitting his job and joining the Army. In an unprecedented chain of events he became the first conscientious objector in Galicia (Spain) to be put in prison. Now, nearly thirty years later, Two Years, Four Months, A Day takes a look at what made him do it.

Thot-Fal'N

June 1978 •English

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Auge in Auge - Eine deutsche Filmgeschichte

July 2008 •German

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Heliorama

January 2004 •Portuguese

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

The World Is a Window: Making The Colour of Pomegranates

August 2011 •English

A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.

Walking with Pasolini

September 2008 •English

A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.

Reflexão, Improvisação

Invalid date •Portuguese

A perspective and reflection on the work of Gabriel Ferrandini.

Adios amigo mío, sin gestos, sin palabras

October 2015 •English

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Bald: The Making of 'THX 1138'

March 1971 •English

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

Bukit Orang Salah

October 2013 •English

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

The Pixar Story

August 2007 •English

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.