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Traffic Crossing Leeds Bridge

October 1888 •

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

La ruta de don Quijote

January 1934 •Spanish

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

R. F. Outcault Making a Sketch of Buster and Tige

March 1904 •English

Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.

La Gigue

August 1902 •French

"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).

Danse fantaisiste

August 1902 •French

"Danse fantaisiste" (Gaumont #589) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "La Gigue" (Gaumont #590).

Serpentine Dance

August 1902 •French

"Danse serpentine" (Gaumont #588) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).

Aidez l'Espagne

January 1969 •Catalan

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Choice Bouquets

September 1910 •English

A display of flower bouquets, rotating to show the Kinemacolour process.

Choosing the Wallpaper

September 1909 •English

A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process

D.L.F.A.

November 2013 •English

The DLFA was a haphazard assortment of young misfits unified by their unwavering pursuit of climbing, partying, and testing the boundaries of socially acceptable behavior. During the late 1970s and throughout the 1980s they established bold first ascents at Devil's Lake State Park and elsewhere in the Midwest. Their spirit of youthful nonconformity and brash rebellion is enshrined in the group's full name: The Devil's Lake Fukness Association.

How Animated Cartoons Are Made

September 1919 •English

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Un día por Málaga

April 1914 •Spanish

One Second in Montreal

September 1969 •English

A silent succession of black-and-white photographs of the city of Montreal.

From 3 to 22

November 1966 •

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

Plant of Ford Motor Company - Antwerp

January 1948 •English

Short documentary on the Antwerp Ford Motor Company plant.

Laurel & Hardy: Their Lives and Magic

December 2011 •German

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

In the Land of Giants and Pygmies

January 1925 •English

IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.

Film-Tract n° 1968

June 1968 •French

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

The Dawn of Sound: How Movies Learned to Talk

September 2007 •English

Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.

Finlandia

October 1922 •Finnish

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.