Romy: Anatomy of a Face

Romy, A Free Woman

May 2022 •French

Romy Schneider has been En Compétition ever since 1957 with Sissi, before coming back to the Croisette multiple times, notably for Claude Sautet’s Les Choses de la vie. This exceptional documentary recounts her illustrious career with passion and dedication.

Romy Schneider - Ein Nahaufnahme

November 2009 •German

The camera loved her face, it was made for close-ups. And Romy Schneider loved and needed the camera - the film camera as well as the cameras of photographers and paparazzi. Julia Benkert's cinematic exploration of Romy Schneider's many faces shows that the actress's fascinating camera presence has lost none of its intensity even 27 years after her death - regardless of whether she was stylized as a veiled bride and glamorous diva, as in the French film "L'enfer" (1964), or whether she exposed herself to the camera without make-up, as in Hans Jürgen Syberberg's documentary "Portrait of a Face" (1966). Without make-up and in close-up, she talks about her fears and doubts - to this day, the film is an authentic testimony to Romy Schneider's deep inner turmoil. Her husband Harry Meyen had it extensively censored because he thought his wife was too sad.

Conversation with Romy Schneider

September 2018 •French

During a night in Cologne in 1976, Romy Schneider opens up like she’d never done before. An intimate portrait based on audio recordings of her interview with journalist Alice Schwarzer.

Romy Schneider: A Woman in Three Notes

September 2008 •German

Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.

Romy, de tout son coeur

November 2016 •French

Retribution: Uncovering John Carpenter's 'The Fog'

October 2018 •English

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with cinematographer Dean Cundey, production designer/editor Tommy Lee Wallace, photographer Kim Gottleib-Walker, make-up effects artist Steve Johnson, Carpenter biographer John Muir, music historian Daniel Schweiger, visual effects historian Justin Humphreys and assistant Larry Franco

Purgatory: Entering John Carpenter's 'Escape From New York'

November 2018 •English

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger.

Subversion: Exposing John Carpenter's They Live

October 2018 •English

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Associate producer Sandy King, cinematographer Gary Kibbe, actor Peter Jason, actor Robert Grasmere, composer Alan Howarth, stunt coordinator/Ghoul Jeff Imada, author Jonathan Letham, music historian Daniel Schweiger, Blumhouse editor Rebekah McKendry, and visual effects historian Justin Humphreys.

Malevolent: Unearthing John Carpenter's Prince of Darkness

October 2018 •English

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Cinematographer Gary Kibbe, actor Peter Jason, actor Alice Cooper, composer Alan Howarth, script supervisor Sandy King, visual effects supervisor Robert Grasmere, stunt coordinator Jeff Imada, Carpenter biographer John Muir, film historian C. Courtney Joyner, music historian Daniel Schweiger and Producer Larry Carpenters.

Friendly Fire: Making of an Urban Legend

September 2003 •English

Cast and crew offer up a nice overview piece, discussing the picture's authenticity, real life in the time of "Boyz n the Hood," the parallels between Singleton's real life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.

The President Must Die

December 1981 •English

Documentary purporting to expose the cover-up of the JFK assassination conspiracy.

The Enduring Significance of 'Boyz n the Hood'

July 2011 •English

A wonderful retrospective supplement that features much of the primary cast cast as well as Writer/Director John Singleton looking back at the picture's history and legacy. They speak on the themes of the film, the casting process, its importance then and now, its reception upon release, the project's novelty, its placing in the National Film Registry, and more. There's no shortage of good insight here and the piece does a fine job of encapsulating what Boyz n the Hood is all about.

Building Brick

September 2006 •English

Building Brick is the Behind the Scenes documentary for the film Brick (2006). Brick was written and directed by Rian Johnson in San Clemente, CA in 2003. The film stars Joseph Gordon-Levitt, Nora Zehetner, Lucas Haas, Noah Segan Building Brick was filmed and edited by L Jean Schwartz (Disclaimer: I shot most of this footage when I was 17 with my family camcorder, edited it when I was 19, and this is not a very high res version, but it has only been available on the German DVD so I wanted a way that my friends could see it) Also, I am endlessly immensely grateful to Rian Johnson for giving me the opportunity to be part of Brick.

The Making of Drugstore Cowboy

October 1999 •English

Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."

A Crime to Fit the Punishment

May 1982 •English

This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.

Making Paranoid Park

April 2008 •English

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

Libre

January 2019 •English

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

Still Ill: 25 Years of 'Ill Communication'

May 2019 •English

The Beastie Boys look back on a period of the group's history that spanned from their groundbreaking 1989 album "Paul's Boutique" to the Lollapalooza tour supporting "Ill Communication."

Princess Mononoke in the U.S.A.

November 2001 •Japanese

This short documentary follows director Hayao Miyazaki and producer Toshio Suzuki as they attend two film festivals showing the film Princess Mononoke and answer questions. Miyazaki discusses his experience in LA before founding Studio Ghibli.

Sculpting Memory

May 2015 •English

Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.