The Bandit

Room 999

October 2023 •French

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Díky, pane Kříženecký

January 1978 •Czech

The Film Parade

January 1933 •English

Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

Bridges of Time

July 2018 •Lithuanian

At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.

Bearing Witness Native American Voices in Hollywood

February 2025 •French

His Name Was Jason: 30 Years of Friday the 13th

April 2010 •English

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Dream Girl: The Making of Marilyn Monroe

September 2022 •French

How did Marilyn Monroe become one of the greatest sex symbols of all time? What drove a prudish little Californian girl, who was not especially pretty nor exceptionally talented, to become this incredibly striking platinum blonde superstar? How did she become the icon capable of balancing innocence with raw sensuality, whilst continuing to captivate the masses to this day? How did she achieve this? And what price did she pay?

Indiana Jones: The Search for the Lost Golden Age

May 2021 •French

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

Le Grand Méliès

November 1952 •French

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

Joaquin Phoenix: An Actor of Extremes

May 2024 •German

The story of the rise to stardom of Joaquin Phoenix, an actor of magnetic physique, tumultuous past, socially committed, who for years has offered outstanding performances.

Marvin Hamlisch: What He Did For Love

October 2013 •English

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

Visions Cinema: Film as a Way of Life: Hong Kong Cinema - A Report by Tony Rayns

June 1983 •English

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Victor Fleming: Master Craftsman

September 2009 •English

A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.

The Making of a Legend: Gone with the Wind

October 1988 •English

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

The Many Faces of Dracula

January 2000 •English

Hosted by Christopher Lee, this documentary examines the different actors who have portrayed Dracula over the years.

Out of Per Åhlin's Head

November 2019 •Swedish

A portrait of Per Åhlin, who has been called the father of Swedish animation.

The 'Frankenstein' Files: How Hollywood Made a Monster

November 2002 •English

The history of Frankenstein's journey from novel to stage to screen to icon.

Wolfman's Got Nards

August 2018 •English

A documentary that explores the power of cult film told through the lens of the Monster Squad and the impact it has on fans, cast and crew and the industry.

Film Adventurer Karel Zeman

March 2015 •Czech

A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.

Silent Britain

May 2006 •English

Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.