Now We're in the Air

Grounds for Divorce

July 1925 •English

Divorce lawyer Maurice (Matt Moore) does not pay much attention to his wife Alice (Florence Vidor). When he spends their anniversary with famous actress Marianne (Louise Fadenza) Alice decides to seek a divorce herself.

Tomboy

October 1914 •Russian

The Private Life of Helen of Troy

December 1927 •English

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

Temperance Town

June 1916 •English

Mink Jones of Jonesville, is the lord high executioner and everything else.

Cradle Snatchers

May 1927 •English

To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.

A Lady's Name

December 1918 •English

Bright young novelist Mabel Vere is engaged to Gerald Wantage, a prig who angrily objects when she advertises for a husband in order to elicit ideas for her new book. Mabel's roommate, Maud Bray, a physical culture expert, frightens away the less desirable suitors, while the writer responds to the more interesting letters, and soon becomes embroiled in a number of adventures.

Flitterwochen

June 1928 •German

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

A Virtuous Vamp

November 1919 •English

A flirtatious young woman takes a job in a busy office, where her presence is terribly disruptive. None of the men in the office can concentrate on their jobs while her charms are on display. Of course, she sets her eye on the one man who seems oblivious to her.

Oh Kay!

August 1928 •English

On the eve of her wedding Lady Kay Rutfield runs off aboard her sloop. A storm carries her out to sea and she is rescued by a passing rumrunner bound for the Long Island Sound. Once they arrive in the States, Kay makes her escape and hides in the deserted mansion of Jimmy Winter. Jimmy is due to marry the following day. He comes home to the mansion unexpectedly, and finds Kay, who persuades him to let her pose for a night as his wife.

The Husband Hunter

January 1920 •English

Millionaire Kent Whitney is warned by Bob Harkness, one of her rejected suitors, about the fickleness of his girlfriend, socialite Myra Hastings. Together they concoct a scheme to teach her a lesson. Kent invites Myra home to meet his family, and she goes, expecting to find an atmosphere of elegance and refinement. Instead, she is greeted by Kent's eccentric father, who affronts her with crude jokes; Kent's mother is introduced reclining on a couch, surrounded by yapping dogs and Myra flees. Upon discovering that the evening was a ruse, Myra decides to retaliate. She hires a fake minister, pretends to marry Kent and then deserts him, leaving behind a message explaining that the ceremony was a farce. Kent pursues Myra and persuades her that a real marriage is in order.

It's No Laughing Matter

January 1915 •English

The story of a ruddy-cheeked rural postman who dabbles in poetry-writing on the side. He utilizes his hobby to spread a bit of sunshine throughout the village, at one point reuniting a long-estranged family.

Drama in the Futurists' Cabaret No. 13

January 1914 •Russian

A Knight in London

December 1928 •German

A prince makes a socialite think she spent the night in his room.

He Comes Up Smiling

September 1918 •English

Jerry Martin quits his dull job as a bank clerk and falls in with a band of hobos. He takes on the guise of Bachelor, the "king of the market," and finds himself pursued by dangerous men who are after the real Bachelor. *Only fragments are known to exist. Preserved by the Academy Film Archive in 2010.

The Nickel Snatcher

January 1920 •English

Hank Mann is the conductor of a horse-drawn trolley that carries a motley assortment of passengers to the beach at Venice in California, where the plot becomes involved with a bank robbery.

The Battle of the Century

December 1927 •English

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

The Cook

September 1918 •English

In an attempt at greater efficiency, the chef and waiter of a fancy oceanside restaurant wreak havoc in the establishment. Adding to the complications is the arrival of a robber.

Three Week Ends

December 1928 •English

A sexy young nightclub singer sets her sights on a young man she believes to be a millionaire playboy, although he is in reality only an insurance agent.

Abie's Irish Rose

April 1928 •English

When a Catholic and a Jew wed they find themselves disowned by both of their families.

Beware of Married Men

January 1928 •English

A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.