Jack L. Warner: The Last Mogul

Dogtown and Z-Boys

May 2002 •English

This award-winning, thrilling story is about a group of discarded kids who revolutionized skateboarding and shaped the attitude and culture of modern day extreme sports. Featuring old skool skating footage, exclusive interviews and a blistering rock soundtrack, DOGTOWN AND Z-BOYS captures the rise of the Zephyr skateboarding team from Venice's Dogtown, a tough "locals only" beach with a legacy of outlaw surfing.

David Lean: A Self Portrait

January 1971 •English

A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Larisa

October 1980 •Russian

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Night and Fog

April 1959 •French

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Let's See Copia Conforme

January 2010 •Italian

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

Clawing! A Journey Through the Spanish Horror

June 2014 •Spanish

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Vivement Truffaut

July 1985 •French

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club: Claude Jade

April 2001 •French

Counter Shot: Departure of the Filmmakers

February 2008 •German

In the Lost City

February 2009 •Spanish

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Hearts of Darkness: A Filmmaker's Apocalypse

November 1991 •English

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Sidney Poitier: One Bright Light

February 2000 •English

Actor/director Sidney Poitier discusses his life and career. He tells of his upbringing in Jamaica; the difficulties he encountered in New York City at the start of his career; his involvement in the US civil-rights movement; and efforts to end apartheid in South Africa. Friends and acquaintances, as well as other performers, give their insights about what makes him so special.

The Exotic Locations of 'The World Is Not Enough'

October 2006 •English

An exploration of the exotic locations of 'The World Is Not Enough'

Sad Clown Bad Dub 4: The God Loves Ugly Release Parties

April 2003 •English

Atmosphere concert and tour footage following the release of the album God Loves Ugly.

Afro Promo

January 1997 •English

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

The Latino List

September 2011 •English

Documentary film interviews leading Latinos on race, identity, and achievement.

Alfonso Sánchez

January 1980 •Spanish

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

James Bond Down River

February 2000 •English

Promotional documentary filmed at the London East End Docklands area and River Thames for the filming of the opening boat chase for The World Is Not Enough (1999).

Behind the Screens, Hollywood Goes Hypercommercial

January 2000 •English

Hollywood movies are rapidly becoming vehicles for the ulterior marketing and advertising motives of studios and their owners, rather than entertainment in their own right. Behind the Screens explores this trend toward "hypercommercialism" through phenomena such as product placement, tie-ins, merchandising and cross-promotions. It combines multiple examples taken directly from the movies with incisive interviews provided by film scholars, cultural critics, political economists, and an Oscar-nominated screenwriter. Behind the Screens presents an accessible argument designed for school and college-age audiences-- precisely the demographic most prized by both Hollywood studios and advertisers alike. It features examples drawn from movies such as Wayne's World, Forrest Gump, The Lion King, Summer of Sam, and Toy Story.