Tosca

The Phantom of the Opera

September 1925 •English

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

The Marriage Of Figaro - Grand Théâtre de Genève

September 2017 •Italian

The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.

La Forza del Destino

March 1984 •Italian

Leonora plans to elope with Don Alvaro, but he accidentally shoots and kills her father, who curses them as he dies. The lovers go on the run, but get separated. Bent on revenge, Leonora's brother Don Carlo, hunts them down. Verdi painted an immense canvas with this dark but tuneful opera, vividly brought to life in John Dexter’s production, with sets by the great Eugene Berman. The legendary Leontyne Price is seen in one of her greatest roles, Leonora. Price’s soaring voice encompasses every nuance of Leonora’s emotion as she moves from joy through resignation to ultimate heartbreak. James Levine’s brilliant leading of the Met orchestra and chorus is a lesson in Verdi style. Giuseppe Giacomini is Alvaro, the man Leonora loves, and Leo Nucci is Don Carlo, the dark instrument of their Fate.

Gounod: Romeo et Juliette

September 1994 •English

Charles Mackerras teases the romantic beauty from Gounod's score, which has been widely admired since its first performance at the Théâtre Lyrique, Paris, in 1867. In this 1994 recording, the youthful Roberto Alagna as Roméo and Leontina Vaduva as the unattainable Juliette lead an excellent cast in this touching portrayal of impossible love, based on Shakespeare's play.

Lehár: The Merry Widow

February 1988 •English

Turn of the century Paris provides the glittering setting for this light hearted tale of political and amorous intrigue amidst the gaiety of Parisian high society.. First performed in Vienna in 1905 and here performed in the English version by Christopher Hassal.

Mozart: The Magic Flute

September 1989 •English

A delightful fairy tale, Mozart's final operatic legacy remains a great work in the spirit of the Enlightenment. Intertwining music of awesome purity and beauty with the conventions of musical comedy, it explores Man's search for truth and his confusion between the forces of light and dark. This production from The Drottningholm Court Theatre is conducted by Arnold Ostman and played on authentic period instruments.

Verdi: La Forza del Destino

December 1997 •English

Taped live at the Mariinsky Theater in St. Petersburg, Valery Gergiev conducts this landmark production of Giuseppe Verdi's operatic masterpiece. This opera premiered at the Mariinsky Theatre in 1862, and is performed here in its original St. Petersburg version using reconstructions of the magnificent painted scenery.

Tosca

July 1986 •English

This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.

La Cenerentola

September 1988 •English

Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince. Director Michael Hampe envisions La Cenerentola less as a fairy tale and more as a gently satirical comment on the nature of society and the relationship between people. Conductor Riccardo Chailly's masterly display of the Rossini style is visually matched by the opulent and elegant set designs by Mauro Pagano. 162 minutes.

The Climax

October 1944 •English

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

Rigoletto

November 1977 •Italian

A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.

La Bohème

June 1994 •English

In the 50's, in Paris, the neighbors Rodolfo and Mimi meet each other when Mimi's candle blows out in a cold and dark night. They immediately fall in love for each other, in times of financial difficulties in the post-war. Rodolfo introduces Mimi to his close friends Marcello and his beloved Musetta; Colline; and Schaunard and together they have a good-time in Café Momus. Some time later, Mimi tells Marcello that she can not support the jealousy of Rodolfo any longer and when Marcello discuss with Rodolfo, Mimi overhears the real reason for the behavior of her beloved Rodolfo.

Berlioz: Les Troyens

October 1983 •French

Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.

Tannhäuser

May 2000 •German

A romantic opera in three acts with music and libretto by Richard Wagner, performed by the Orchestra of the Teatro di San Carlo. The original title, Tannhauser und der Sangerkrieg auf Wartburg, reveals the real nature of the opera, born by a fusion of two traditional sagas and dedicated to the dualism of spirituality and sensuality and the possibility of redemption through love. Composed between 1843 and 1845, Tannhauser has a tormented musical theme, made up of constant variations. It debuted in Dresden in 1845 when Wagner was just over 30.

A Night at the Opera

November 1935 •English

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Parsifal

September 2016 •English

Wagner’s mystic masterpiece Parsifal at the Staatsoper Berlin, staged by Dmitri Tcherniakov and conducted by Daniel Barenboim. Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge. This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. This new production is directed by Dmitri Tcherniakov, conducted by Daniel Barenboim and sung by an international cast of excellent singers: Andreas Schager, Anja Kampe, Wolfgang Koch, René Pape, Tomas Tómasson and Matthias Hölle.

Andrea Bocelli - A Night in Tuscany

April 1997 •English

A Night in Tuscany is the first DVD released by Italian singer Andrea Bocelli of a concert held in his native Tuscany, in 1997, highlighting the unique blend of Classical, Pop, and traditional Italian songs that made him a crossover success as an internationally acclaimed tenor. The concert takes place at the Piazza dei Cavalieri in Pisa. Bocelli performs two opera duets with soprano Nuccia Focile during the concert, before singing Miserere with Italian rock star Zucchero, who discovered him, and Time To Say Goodbye with English soprano Sarah Brightman

Giulio Cesare in Egitto

August 2012 •Italian

Simon Boccanegra

October 2002 •English

One of the lesser known works by Giuseppe Verdi, Simon Boccanegra is regarded by most opera lovers as one of his finest. The action takes place in the 14th century and deals with the political and personal rivalry between the corsair Simon Boccanegra, who has been elected Doge of Genoa with the help of the plebeian vote, and the local nobleman, Jacopo Fiesco. Arthaus presents a visually alert, musically sensitive and disturbingly coherent (Der Standard) production of the piece on DVD. The staging was directed by one of the giants of the European theatre, Peter Stein. His fondness for atmospherically dense spaces in which the characters can fully develop is particularly well brought out in his Vienna production, not least because he had at his disposal two remarkable singing actors for the principal male roles, Thomas Hampson and Ferruccio Furlanetto.

The Threepenny Opera

January 1995 •German

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).