Movies

HomeMoviesSearchTV SeriesBookmarksView Source
Fahavalo, Madagascar 1947
Fahavalo, Madagascar 1947

Fahavalo, Madagascar 1947

Genres

Documentary

OverView

When Malagasy soldiers came back from WWII, they expected De Gaulle to give them independence for fighting along with France against Nazis. Instead, they were asked to return to their indigenous status. They soon became the leaders of an uprising, harshly repressed by the French colonial authorities. The last witnesses tell us about their long months of resistance.

Others

Budget

$--

Revenue

$--

Status

Released

Original Language

French

Runtime

0 mins

Rating

0/10

Release Date

30 January 2019

Country

Cast

Similar Movies

0.0

Modern British Slavery

January 2017 •English

Explores the rise of modern slavery in the UK, giving a portrait of the dark world of forced labor through the eyes of the people involved.

5.2

The Cloud Forest

February 2017 •Spanish

A small community in Veracruz is the guardian of one of the ecosystems facing the most risk: the cloud forest. By redesigning their needs, education and relationship with other people and with nature, they search for a simpler and sustainable life.

6.9

Olympia: Part One – Festival of the Nations

April 1938 •German

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

6.7

Olympia: Part Two – Festival of Beauty

June 1938 •German

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

7.2

The Eyes of Thailand

April 2012 •English

Tells the true story of one woman's quest to help two elephant landmine survivors-Motala and Baby Mosha-walk on their own four legs.

8.7

The Hooping Life

April 2014 •English

Learn the origins and rise of modern day hula-hooping through eight extraordinary stories of hoop devotees who have embraced it as an art form, a teaching aid, and even an instrument of redemption. From the streets, to intimate clubs, to giant arenas, we alternate between self-filmed video diaries, verité documentary footage, and spectacularly filmed performances in an attempt to celebrate the healing power of movement and the spirit of human inventiveness.

0.0

One Thousand Days in Saigon

October 2012 •English

Documentary short following French-Vietnamese artist Marcelino Truong on his journey back to Vietnam for the research on his 'roman graphique' 'Une si jolie petite guerre' (A Lovely Little War). Truong looks back to when his family lived in Saigon from 1961 to 1963 when his father served as a translator to then president of the Republic of Vietnam Ngo Dinh Diem. The film follows Truong as he ruminates over memories, photos and films, and also conducts a host of interviews with Vietnamese relatives and officials to present a personal and long awaited Vietnamese perspective to the war.

8.0

Last Fast Ride: The Life, Love and Death of a Punk Goddess

March 2011 •English

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

6.1

France / Tour / Detour / Two / Children

January 1979 •French

In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.

0.0

The Pharmacy: Shanghai

March 1976 •French

Joris Ivens and wife Marceline Loridan took their cameras into Pharmacy No. 3 in Shanghai, which in addition to dispensing drugs manages an outreach program of medical services, an extension of the pharmacy’s in-house medical care center.

0.0

Zirkus is nich

February 2007 •German

Life is by no means easy for eight-year-old Dominik from the Berlin district of Hellersdorf. Living with his younger brother and sister and his single mother, he finds himself constantly torn between his sense of responsibility ty to the family and his own desires as he struggles to make his own life. This documentary portrait of Dominik accompanies him during the ups and downs of his daily life.

0.0

My America... or Honk If You Love Buddha

January 1997 •English

Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.

6.0

Prisoners of War

January 1995 •Italian

This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA

6.2

And... We've Got Sabor

January 1967 •Spanish

Legendary rumba musician Alberto Zayas serves as a guide for this vibrant journey through Cuban musical history and culture. The short features interviews, footage of impromptu street performances, and studio recordings.

6.4

I'm Going to Santiago

January 1964 •Spanish

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

0.0

Flowers from the Mount of Olives

May 2013 •Estonian

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

6.0

On the Heights All Is Peace

January 1998 •Italian

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.

0.0

People, Years, Life

January 1990 •English

Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.

5.7

Balkan Inventory

November 2000 •Italian

Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.

5.0

Ghiro ghiro tondo

November 2007 •English

Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.