Pattaki

Apocalypse Now Now

August 2017 •English

Snarky, monster-porn-dealing teen, Baxter Zevcenko, might be a serial killer. His girlfriend, Esme, is missing, and he’s the prime suspect. To clear his name, he’ll turn to Cape Town’s grizzliest, drunkest bounty hunter, Jackson ‘Jackie’ Ronin. Little does he know that Ronin is a supernatural bounty-hunter, and that he’s about to be dragged headlong into a deep, dark Cape Town underbelly full of monsters and myth, shadowy government forces, bloodthirsty crow-men and a conspiracy across time and space.

Gonzalo Suárez: Sam Peckinpah, director salvaje (TV)

May 2011 •Spanish

Ocharcoaga

January 1961 •Spanish

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

A Trip to the Moon

June 1902 •French

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Night and Fog

April 1959 •French

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Goya

October 1950 •Italian

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

Dear Chantal

May 2021 •Spanish

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Interview with Robert Kramer

January 2015 •English

This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.

People Unite!

March 2022 •English

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.

-22.7°C The Far North Musical Experience

March 2019 •English

The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

Land Without Bread

December 1933 •Spanish

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

When The Rupiah Disappears

January 2025 •Indonesian

Some people in North Kalimantan are facing a strange situation where the Rupiah (Indonesian currency) suddenly disappears, and they are the only ones who still remember it.

Mama's Boy

October 2016 •Hindi

A modern take on the Indian legend Mahabharata.

The Birds Changed Names And The World Turned Into Ice

October 2022 •Spanish

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

The Hills of Qaytariyeh

April 1969 •Persian

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

Into the Thicket

July 2023 •English

A young woman struggles with her fractured home life, failing to find common ground with her volatile yet emotionally repressed mother. Longing for a maternal figure, she continues to be haunted by visions of a mystical woman, and soon, dream intertwines with reality as she discovers a deeper connection to the mysterious lady of the woods.

Wales

June 1958 •English

Wales prides herself in her wealth of natural resources, foundries, mills, and factories. Beyond this modern facade lies another treasure—a rich historical background and ancient lore. The great granite fortresses still remain as reminders that from the struggle and strife was born a pure and distinctive national culture.

6-18-67

July 1967 •English

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

The Arrival of a Train at La Ciotat

June 1896 •French

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.