While I’m Still Breathing

Night and Fog

April 1959 •French

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Workers Leaving the Lumière Factory

March 1895 •French

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Fittan brinner - livet med vestibulit

June 2019 •Swedish

Min hemliga bror

June 2019 •Swedish

It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.

Hakob Hovnatanyan

January 1967 •Armenian

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Passing

September 2015 •English

A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.

The Way We Wait

September 2020 •Korean

Desperately building against the inevitability of time, a restless young woman is awaiting another upcoming loss. But maybe more important things never seem to be told. Soon after the director moves into her 22nd house, she gets a phone call that her Grandma, who lives far away, is in a critical condition. Elsewhere, a huge apartment made of sand is being constructed as the tide rolls in, while she belatedly tries to build a relationship with her Gran. As the camera sensitively observes how we wait for the upcoming days, the film embraces the fragility of life, full of uncertainty.

Blush: An Extraordinary Voyage

October 2022 •Finnish

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

Rated X

March 2020 •English

Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.

Larisa

October 1980 •Russian

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Brasilia, Contradictions of a New City

January 1968 •Portuguese

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Scum Manifesto

January 1976 •French

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

High Cities of Bone

February 2017 •Portuguese

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

The Voice of Hollywood

August 1930 •English

The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).

Where Do You Stand Now, João Pedro Rodrigues?

November 2016 •Portuguese

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

Metro

November 2023 •Spanish

An experimental and sensory portrait of the Mexico City Metro System through the job of a subway driver and the spaces she journeys.

The Daughters of Daedalus

January 2024 •Spanish

Yolanda has a special relationship with objects, she obtains them, knows them and accumulates them. The protagonist bears witness to the bond she has with the objects she treasures and gives a glimpse of its origin: the loss and love; as we enter her living space, her home.

The Colour of His Hair

June 2017 •English

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

Second Place

February 2012 •English

One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg

Visions of Europe

May 2004 •English

Twenty-five films from twenty-five European countries by twenty-five European directors.