Thursday

Apocalypse

November 2024 •French

Visions of Europe

May 2004 •English

Twenty-five films from twenty-five European countries by twenty-five European directors.

The End of Stories

April 2021 •English

The End of Stories is an animated documentary dome film about our inability to understand the present or imagine the future. The 4th installment in the “Corona Voicemails” series, the film showcases a collage of 37 perspectives from around the world of people coping with the turbulence of pandemic life.

Modest Gods

September 1987 •Greek

The McIntyre Block

August 1977 •English

A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.

The Time of the Tar Sands

August 1975 •English

A promotional video produced by the Alberta government in 1975, "The time of the tar sands", featuring Gordon Pinsent. credit: Archives of Alberta.

Screengrabbed Too: BBC Introducing Arts

November 2022 •English

Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective

The Presence III

January 1986 •Hungarian

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Koyaanisqatsi

April 1983 •English

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

The Virus That Shook the World

April 2021 •English

The epic story of how people around the world lived through the first year of the coronavirus pandemic, from lockdowns to funerals to protests. Filming across the globe and using extensive personal video and local footage, FRONTLINE documented how people and countries responded to COVID-19 across cultures, races, faiths and privilege.

Volcanoes of the Deep Sea

September 2003 •English

12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.

Two/2

January 2008 •English

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.

In the Ocean, on Land

January 2008 •English

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

A Staircase

January 2009 •English

Single frames vectorized and stitched before processing through an analog EAB.

Water Theater

January 2015 •English

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.

XYZ

January 2016 •English

Oil spills around Oak Cliff, Dallas.

The Sun

January 2018 •English

Compiled and animated from still images.

Minuta ticha

June 1968 •Czech

Dresden Oktober '89

December 1989 •German

Trust Me

May 2024 •English

Animated short documentary following a young woman's diagnosis of bipolar: a journey of self-acceptance to challenge everyday stigma. In "Trust Me", a genre-bending short documentary, a young woman uses humour and compassion to share her moving and deeply personal story of coming to terms with her mental health condition. When she starts exhibiting atypical and extreme behaviour, her loved ones trick her into hospitalisation against her will. She is diagnosed with bipolar disorder which starts her challenging journey of self-acceptance, confronting internalised and societal stigma, and learning to trust herself and others again.