virar mar / meer werden / becoming sea

Waiting Session (50$)

September 2024 •English

In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.

Wirf dein Herz ins Meer

May 2025 •German

Living in an Unreal World

October 2016 •English

Short film for Vice Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.

Patient Klima

February 2008 •German

Minot, North Dakota

April 2008 •English

The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.

Devotion

April 2003 •English

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.

Sites Unseen

April 2002 •English

Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Bruno & Bettina

January 2018 •German

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

Everyday Life

October 1976 •Polish

Dialogue-free short detailing the daily tasks of a man and his wife.

Rumstick Road

May 2014 •English

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

Tree of Knowledge

January 1981 •English

It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.

But Beautiful

November 2019 •German

In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

Oat Boy

June 2021 •English

Folk portraiture, images of children in suburbia.

Acts of Violence

January 1985 •English

A riveting expose about the personalities of murderers and their motives. This 72 minute film covers the McDonalds' restaurant massacre, President Reagan's assassination attempt, serial murderer Henry Lee Lucas and others.

Clouds

December 1969 •English

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Blue Gold: World Water Wars

October 2008 •English

Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private investors, and corrupt governments vie for control of our dwindling supply, prompting protests, lawsuits, and revolutions from citizens fighting for the right to survive.

Vanishing: The extinction crisis is worse than you think

January 2017 •English

We're entering the Earth's sixth era of extinction -- and it's the first time humans are to blame. CNN introduces you to the key species and people who are trying to prevent them from vanishing.

Decasia: The State of Decay

January 2002 •English

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Man with a Movie Camera

May 1929 •Russian

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Poisons

January 1964 •Slovenian

Industrialization brings progress, but also harmful influences on the environment. Warning of the dangers of waste materials dumped into the air and the waters.