Bresson: Without a Trace

Boundless

November 2013 •

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Roberto Rossellini: Fragments and Jokes

April 2001 •Italian

Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.

Love & Loyalty: The Making of 'The Remains of the Day'

October 2001 •English

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Melville Steps Out of the Shadows

January 2010 •French

A documentary about the making of Jean-Pierre Melville's 1949 film "Le silence de la mer"

Gena Rowlands: A Life on Film

June 2019 •German

An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.

Let's See Copia Conforme

January 2010 •Italian

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

Comrades in Dreams

October 2006 •German

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

David Lean: A Self Portrait

January 1971 •English

A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

Henri-Georges Clouzot: An Enlightened Tyrant

January 2004 •French

Documentary about the life and career of French director Henri-Georges Clouzot.

Antonioni: Documents and Testimonials

September 1965 •Italian

A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.

Akira Kurosawa: My Life in Cinema

January 1993 •Japanese

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

Hearts of Darkness: A Filmmaker's Apocalypse

November 1991 •English

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

La La La

November 2018 •French

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Serbia, Year Zero

November 2001 •French

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

The Dinosaur and the Baby

March 1967 •French

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

Omnibus: François Truffaut

December 1973 •English

A Look at the World of 'Soylent Green'

January 1973 •English

This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.

Clawing! A Journey Through the Spanish Horror

June 2014 •Spanish

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The Exotic Locations of 'Goldfinger'

October 2006 •English

A tour of the exotic locations of 'Goldfinger'.

Paparazzi

September 1964 •French

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.